Issue Content
Volume 32, Number 6
September/October 2011
The Collaborative Turn
Davis Schneiderman’s “Introduction to Focus: The Collaborative Turn”
Steve Tomasula’s “Electricians, Wig Makers, and Staging the New Novel”
Stephanie Strickland and Nick Montfort’s “Collaborations in E-lit”
Debra Di Blasi’s “Beautiful Collider”
Tom La Farge and Wendy Walker’s “The Collectivoli Gardens”
James Tadd Adcox’s “Controversy and the Collaborative Literary Blog”
David Banash reviews Amira Hanafi’s Forgery, David Lespiau’s Four Cut-ups, or the Case of the Restored Volume, and Edward S. Robinson’s Shift Linguals: Cut-Up Narratives from William S. Burroughs to the Present
Christine Masters Jach reviews eds. Kembrew McLeod and Rudolf Kuenzli’s Cutting Across Media: Appropriation Art, Interventionist Collage, and Copyright Law
Gretchen E. Henderson reviews Paul D. Miller’s The Book of Ice
Jessica N.A. Berger reviews ed. William Walsh’s Re:Telling: An Anthology of Borrowed Premises, Stolen Settings, Purloined Plots, and Appropriated Characters
Book Reviews
Steven G. Kellman reviews Quim Monzó and trans. Peter Bush’s Guadalajara
Kass Fleisher reviews Stephen Spotte’s The Smoking Horse: A Memoir in Pieces
Jay Shearer reviews D. V. Glenn’s The Girl with Two Left Breasts
Eugene Wildman reviews DeWitt Henry’s Sweet Dreams: A Family History
Dinda L. Gorlée reviews Nasser Al-Taee’s Representations of the Orient in Western Music: Violence and Sensuality
James Pate reviews L. C. Fiore’s Green Gospel
Pam Kingsbury reviews Mary Troy’s Beauties
Matt Bell reviews Lance Olsen’s Calendar of Regrets
Mark Axelrod reviews Erri De Luca’s The Day Before Happiness
Departments
Page 2—Jeffrey R. Di Leo’s “Ain’t No Sunshine: Crisis in the Humanities III”
Picketing the Zeitgeist—Harold Jaffe’s “Crisis Art”
Volume 32 Index
